Emeric Pressburger
He is best known for his series of film collaborations with Michael Powell, in a collaboration partnership known as the Archers, and produced a series of films, including 49th Parallel (US: The Invaders, 1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (US: Stairway to Heaven, 1946), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).[1] He was the only son (he had one elder half-sister from his father's previous marriage) of Kálmán Pressburger, estate manager, and his second wife, Kätherina (née Wichs).Pressburger's early films were mainly made in Germany and France where he worked at the UFA Studios in the Dramaturgie department (script selection, approval and editing) and as a scriptwriter in his own right.In 1933, after the Nazis came to power, UFA's head sacked the company's remaining Jewish employees with Pressburger being told his contract would not be renewed.In England, he found a small community of Hungarian film-makers who had fled the Nazis, including Alexander Korda, owner of London Films, who employed him as a screenwriter.He remarried, on 29 March 1947, to Wendy Orme, and they had a daughter, Angela, and another child who died as a baby in 1948; but this marriage also ended in divorce in Reno, Nevada in 1953 and in Britain in 1971.From 1970 he lived in Aspall, Suffolk[6] and he died in a nursing home in nearby Saxtead on 5 February 1988, due to the complications of old age and pneumonia.