Demi's Birthday Suit

The converse of this image serves as the dust jacket art to Gair's second bodypainting book, Body Painting."[7] Joanne Gair has described the painting as a stylized reference to Botticelli,[8] since the sinuous pose is reminiscent of the central figures in both Primavera and The Birth of Venus.[2] For the 1992 cover, which required a full-day sitting for Gair and her team of make-up artists, Leibovitz could not decide where to shoot, and "reserved two mobile homes, four hotel rooms and five houses".[14] Having started rigorous workouts in the final trimester of her pregnancy the year before to prepare for her role in A Few Good Men, Moore was physically fit for the photoshoot.As a groundbreaking work, the photograph of her pregnant pose was an iconic one for Moore, Leibovitz and women in general who now view public representation of pregnancy as socially acceptable.
Demi's Birthday Suit , August 1992.
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