Charles Richard Johnson (born April 23, 1948)[1] is an American scholar and the author of novels, short stories, screen-and-teleplays, and essays, most often with a philosophical orientation.The Cambridge Guide to Literature in English says that Johnson's works "combine historical accuracy, parable, and elements of the fantastic in rendering the experience of African Americans.After a two-year correspondence course with Lariar, Johnson began publishing his artwork professionally in 1965, drawing illustrations for the catalog of a magic company in Chicago,[4] and publishing three stories in his high school's newspaper[4] as well as panel cartoons and a comic strip that in 1966 took two second-place awards in the sports and humor divisions of the Columbia Scholastic Press Association's cartoon contest.[6] In 2013, Johnson was awarded by his old philosophy department the first "Don Ihde Distinguished Alumni Award", 78-year-old Ihde being one of America's preeminent phenomenologists, and the director for Johnson's dissertation, Being and Race: Black Writing Since 1970 (1988), a literary manifesto published by Indiana University Press that used the methods of Continental philosophy to examine African-American literature and create an aesthetic position.This novel was published in 1974 by Viking Press, and Johnson stated then, as he would over the years, that his goal was to contribute to and enrich the tradition of "African-American philosophical fiction".Two of his stories, "Menagerie: A Child's Fable" and "A Soldier for the Crown" were dramatized by actors for National Public Radio's Symphony Space "Selected Shorts."He was inducted into the American Academy of Arts and Sciences,[16] and his most recent award is The Humanities Washington Award 2013 for creating and contributing for 15 years a new, original short story to a literary event called "Bedtime Stories," which since 1998 has raised a million dollars for the literacy programs of the non-profit organization Humanities Washington.In the spring of 2021, Chicago Quarterly Review released its "Anthology of Black American Literature", a special issue guest-edited by Johnson.