Chōsen Art Exhibition

The Chōsen Art Exhibition (Japanese: 朝鮮美術展覽會, Hepburn: Chōsen Bijutsu Tenrankai, Korean: 조선미술전람회; short names 鮮展; 朝鮮美展) was an annual art exhibition and competition in Korea, Empire of Japan that ran between 1922 and 1944.It was established by the Japanese Government-General of Chōsen as part of its reform efforts in the wake of the 1919 March First Movement protests.[2][3] It was seen as a premiere authority for the art world of Korea, and seen as a venue to challenge social norms.In response to this, the magazine Kaebyŏk [ko] published an article in its July 1924 edition that critically examined the ratio of Korean to Japanese entrants per year.[2][3] According to Mok Su-hyeon, the influence of Western art become increasingly visible in Korean artworks in the exhibition over time.[2] Many significant figures in the Korean art world during and after this period participated in or had been involved with the exhibition in some capacity.
Korean students gathered around paintings at the June 1922 Chōsen Art Exhibition [ 1 ]
JapaneseHepburnKoreanKorea, Empire of JapanGovernment-General of ChōsenMarch First MovementThe Dong-A IlboThe Chosun IlboMaeil SinboJeo-dongGovernment-General of Chōsen LibrarySogong-dongGyeongbokgungChōsen ExhibitionGovernment-General Museum of ChōsenJapan Fine Arts ExhibitionKorean artliberation of KoreaEncyclopedia of Korean CultureAcademy of Korean Studies