Carmelo Bernaola
He composed more than 300 works in popular and academic forms including award-winning soundtracks for film and television, and is credited with introducing notions of chance to Spanish composition.In 1953, he got a new job as clarinettist with the Madrid City Band, and after winning various national prizes, he received a scholarship from the San Fernando Royal Academy of Fine Arts to continue his studies.[4] In addition, during this period he participated in the Darmstadt International Summer Courses under the direction of Bruno Maderna and Olivier Messiaen and there he met Pierre Boulez, Karlheinz Stockhausen, Luigi Nono and Ramón Barce.[7] In 1998, he received a honorary doctorate from Complutense University alongside Cristóbal Halffter, Luis de Pablo and Tomás Marco.[9] Key among his works are the three symphonies (1974, 1980, 1990), the Rondo for Orchestra (1992), Clamores y Secuencias (1993) and Song for Euskera (1995), a tribute to his native language.