This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats.Still, others have a basic step which individual dancers may embellish at specific points with variations like stamps and foot slaps.The dancers thus dance to a meter composition 4+3+2+2, which may also be played by the musicians, e.g., in Traichovo horo (Трайчово хоро).In addition, some tunes may have considerable time bends, such as the Macedonian Žensko Beranče and Bajrače, though viewed as and written in 3+2+2+3+2.Therefore, in dance instruction, quick and slow beat descriptions, in combination with intuition and careful listening, may be a good approach, though not suitable for performing and notating the music.Thus, even though these are well-known rhythmic patterns, one may not arrive at an unambiguous meter interpretation, the way listeners of Western music are used to.
Bulgarian peasants dancing the horo c. 1906
Children from Bulgaria perform folk dance
Bulgarian peasants ready to dance the horo, c 1913