Considered as one of the great exponents of Brazilian music, Jobim merged samba with cool jazz in the 1960s to create bossa nova, with worldwide success.His father, Jorge de Oliveira Jobim (São Gabriel, Rio Grande do Sul; 1889–1935), was a writer, diplomat, professor and journalist.He came from a prominent family, being the great-nephew of José Martins da Cruz Jobim [pt],[3] senator, privy councillor and physician of Emperor Dom Pedro II.While studying medicine in Europe, José Martins added Jobim to his last name, paying homage to the village where his family came from in Portugal, the parish of Santa Cruz de Jovim, Porto."[7] As a young man of limited means, Jobim earned his living by playing in nightclubs and bars and later as an arranger for a recording label before starting to achieve success as a composer.Among his teachers were Lúcia Branco and, from 1941 on, Hans-Joachim Koellreutter, a German composer who lived in Brazil and introduced atonal and twelve-tone composition in the country.[8] Among many themes, his lyrics talked about love, self-discovery, betrayal, joy and especially about the birds and natural wonders of Brazil, like the "Mata Atlântica" forest, characters of Brazilian folklore and his home city of Rio de Janeiro.[10][11] Jobim became prominent in Brazil when he teamed up with poet and diplomat Vinicius de Moraes to write the music for the play Orfeu da Conceição (1956).Moraes was at the time away in Montevideo, Uruguay, working for the Itamaraty (the Brazilian Ministry of Foreign Affairs) and so he and Jobim were only able to write three songs, primarily over the telephone ("A felicidade", "Frevo" and "O nosso amor").In 1958 the Brazilian singer and guitarist João Gilberto recorded his first album with two of Jobim's most famous songs, "Desafinado" and "Chega de Saudade".Oscar Castro-Neves, a guitarist-producer who worked with Regina and Jobim on the Elis & Tom album in the mid-1970s, recalled in an article with the Los Angeles Times that "There was a very fine line between ‘rehearsal’ and ‘hanging out,’ ‘just talking’...it was all that seamless.Daniel, Paulo's son, followed his grandfather to become a pianist and composer,[15] and performed "The Girl from Ipanema" during the opening ceremony of the 2016 Summer Olympics in Rio de Janeiro.[16] In early 1994, after finishing his album Antonio Brasileiro, Jobim complained to his doctor, Roberto Hugo Costa Lima, of urinary problems.Written by Elliott Smith, the ninth track on Oregon alternative rock band Heatmiser's 1994 album Cop and Speeder is entitled "Antonio Carlos Jobim".