Alfred Uhl

As a composer, Uhl synthesized elements from neo-classicism, atonality, serialism and traditional tonal and contrapuntal idioms.His vibrant style combined technical sophistication and musical charm with wit and humour, rhythmic inventiveness, thematic development and advanced harmonic language.Written in 1942 for clarinettists from the Vienna Philharmonic, it is a demanding three-movement work structured similarly to a conventional concerto.As such, they occasionally include intervals which require sliding over keys on the French system of clarinet, a technique that is generally frowned upon unless, as in these cases, it cannot be avoided.Uhl was assisted by Leopold Wlach of the Vienna Philharmonic Orchestra, who made suggestions and revisions throughout the writing process.
Viennacomposerviolistmusic teacherconductorFranz SchmidtVienna Music AcademyKapellmeisterZürichAustrian ArmyNeumarktAlfred Prinzneo-classicismatonalityserialismfilm scoreschoralsymphonicchamber musicclarinetVienna PhilharmonicconcertoSchott MusicchromaticismclarinetistsLeopold WlachVienna Philharmonic OrchestraTheo LingenJoseph von EichendorffNikolaus LenauDes Knaben WunderhornJoachim RingelnatzWilhelm BuschChristian MorgensternHeinrich GattermeyerVoices of SpringHans ThimigThe SpendthriftVienna, City of My DreamsWilli ForstPanoptikum 59Walter Kolm-VeltéeState Prize for MusicGrand Austrian State PrizeTheodor BergerAustrian Cross of Honour for Science and Art, 1st classNew Grove Dictionary of Opera